![]() With a heartwarming love story at the center, the film follows the extraordinary path of a poor Indian boy who transcends the slums and finds himself on the Indian iteration of Who Wants to Be a Millionaire. This little gem was destined for obscurity (it almost went straight to video) before it burst onto the scene, captivating audiences and leaving an indelible mark on the awards circuit. Summary: Danny Boyle’s enchanting Slumdog Millionaire stands as one of the most remarkable success stories in the history of the Academy Awards. Some good choices, and Marty isn’t a bad one. Alfred Hitchcock’s To Catch a Thief and Charles Laughton’s The Night of the Hunter are two thrillers from 1955 that have left quite a legacy. Rebel Without a Cause is the one I would give the prize to, with East of Eden being another strong film for the short-lived icon. As much as I love Marty, James Dean gave us two films in 1955 that could be used to argue against it winning. Hindsight’s a bitch: Hard to argue against such a profound character study of the everyday man. What it beat: Love Is a Many-Splendored Thing, Mister Roberts, Picnic, The Rose Tattoo Clocking in at a concise 94-minutes, it remains the shortest duration ever for a Best Picture winner. Marty, written by the great Paddy Chayefsky, not only earned Borgnine an Oscar but also holds the distinction of being the first film to win both the Cannes Palme d’Or and the Academy Award, a feat only paralleled by Parasite in 2019. Summary: Ernest Borgnine delivers a masterful portrayal off a lonely and self-doubting bachelor, whose quest for happiness becomes an endearing exploration. ![]() Wes Anderson’s Budapest Hotel and Damien Chazelle’s Whiplash would have been equally deserving winners. Hindsight’s a bitch: The Academy got this right. What it beat: American Sniper, Boyhood, The Grand Budapest Hotel, The Imitation Game, Selma, The Theory of Everything, Whiplash The black comedy plays on an irreverent version of Keaton’s own career while being a wholly original satire on Hollywood, celebrity, and movie superheroes. Michael Keaton is incredible as the washed-up, disillusioned actor hoping a Broadway play will revive his career. ![]() Detractors might argue it is a tad pretentious, but haters be damned. Summary: Alejandro Gonzalez Iñárritu made one of the most deranged and ambitious films to ever win Best Picture. Birdman or (The Unexpected Virtue of Ignorance) (2014) You can find Part One (95-76) here and Part Two (75-51) here.ĥ0. With that said, I hope you enjoy this curated selection of films that have shaped the landscape of cinema, continue to reverberate with audiences worldwide, and celebrate the power of movies – all while acknowledging the complexities of navigating the relationship between art and artist. I assure you, our personal opinions can coexist. I hope that you respect that I can, just as I respect if you cannot. While acknowledging the controversies surrounding some of the filmmakers and actors involved, I still find it easy to appreciate the artistic achievements and storytelling prowess of these Best Picture winners. This segment of the list contains a collection of films that might be viewed as controversial. With a focus on exceptional storytelling, outstanding performances, and exquisite craftsmanship, these Best Picture winners have solidified their place in the chronicles of film history. From renowned classics to contemporary masterpieces, join us on a journey through Academy history as we explore the cinematic achievements that have left a lasting impact on the industry. Welcome to Part Three of our four-part series on “95 Years of Oscars: Ranking the Best Picture Winners!” In this installment, we dive into a collection of films that have been recognized as the best of the best, occupying positions 50 to 26. Download: 95 Years of Oscars: Ranking the Best Picture Winners Part Three – #50-26
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